I’m at a writing retreat, staying in a rustic cabin with no electricity or running water called the Library House. Perched on a deck among oak trees, it felt like home as soon as I walked into its book-lined walls. I set my suitcase down and perused the titles before I unpacked, saw how thoughtfully they had been chosen and approved too of how they had been organized: travel, biography, poetry, entire shelves for favorite authors like Hemingway, Toni Morrison, Joan Didion, and a whole section just for fun. I had arrived for a weeklong writer’s residency, but was tempted to spend the next seven days devouring as much of this eclectic, enticing library as I could.
Instead, I settled at the desk with my laptop and a fat binder containing the rough draft of my novel. When darkness folded my little cabin into the night, I lit candles and at some point, despite my thick wool socks, noticed that my feet on the stone tiles were cold. Out came the sheepskin rug from under the rocking chair to lie under the desk instead. I have learned to move it around to wherever my feet are.
Home is a place you’ve made your own, usually by moving in with all your worldly goods, but sometimes just by rearranging what you find in your temporary abode. I know a monk who has traveled the world and feels at home wherever he lays down his yoga mat. Even a room in a Motel 6 can become a sanctuary.
I came here to write in solitude, away from the delights and distractions of my daily life, and found a tribe of writers with a place for me, a communal life that leads to contemplation and a contemplative life that nourishes community. We all have questions here. What is the very best word to write down next? What will I do when I leave this place? I want an agent or editor to tell me definitively whether I should start my novel at chapter 15 instead of chapter 1, but instead I sink into the ground made fertile by this balance of contemplative and communal. This is my home ground, this is where I can dig deep to find the answer.