The Mandala Maker

spray of ferns, autumn leaves, evergreen sprigs, and pine cones

Sometimes in Lithia Park one finds

on a picnic table an ephemeral altar —

flowers and greens in artful array.

Once I happened upon the florist

at work, bent over blossoms and ferns

like a fortuneteller over her cards. 

“You’re the mandala maker!” I gushed,

but her expression when she looked up

froze the flood of compliments and thanks

in my mouth. Do you tap a nun

on the shoulder when she is praying?

Interrupt a mathematician

attempting to solve Fermat’s enigma?

She did not need my gratitude or praise.

At this wooden table by a path through

a city park all she wanted was to listen

to the burble and rush of the creek

conversing with the morning breeze. 

I passed on chastened to sew up the rift

and restore silence I wish for myself too,

a not to be hastened softening,

the moment cedar-dappled sunlight

turns autumn air warm,

the ardent lift of a new aim.


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Mary Camille Thomas

Mary Camille Thomas is a native of Santa Cruz who is grateful to make her home on the California coast once more after living internationally and on the road. She studied comparative literature at UC Davis and received a master’s degree in library science from UCLA, which gave her a way to earn a living while making a life among books. Her poetry and essays have appeared in the Monk in the World Guest Post Series, Moving Force Journal, Presence, Porter Gulch Review, Second Wind, Sisters Singing, and The New Story, and she has completed a novel called What Lies Buried about a man reckoning with his family’s Nazi past.

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